Abstract: Key Keywords: Literature, Bengali Muslim, Identity, Representation Literature whether it is regional, national or global always inspires, invigorates, and energizes us to look at life’s great mystery and miracle from multitude heterogeneous contours. It deepens the meaning of life in its colourful and painfully beautiful foliages— splendours and glories, hopes and aspirations, loves and expectations, sorrows and tears, strength and endurance, death and doom, diseases and pathos, the courage and resilience of a sea of humanity. And Bengali Muslim literature aims at giving many of the said life’s innate shades to humanity in general and to the Bengali Muslim in
Na kisee kee aankh ka noor hoon Na kisee key dil ka quaraar hoon Jo kisee key kaam na aa sakey Main v eek musht-e-ghubaar hoon -Bahadur Shah Zafar (1775-1862) Introduction Of every four persons in West Bengal, roughly speak ing one is a Bengali Muslim. Despite their numerical density and participation in different socio-economic activities their identity is basically singular, based only on their religious affiliation. They are solely “Muslims”. All other identities (Bengali, professional, educational, economic, residential etc.) are never acknowledged and often suppressed by popular lazy media, and concocted, unscrupulous power-hungry religious and political leaders and even
A gifted versetile writer who writes excellent stories and poems on the invisibles, pariahs, margins, aged, weaklings of our society. A rising star on the literary firmament.
“Your story Undersell left me with a lump in my throat, so did your poem, He also lights candles.”
"A finely honed observational piece recording the minutiae of everyday life. Rendered with the author’s customary poetic aplomb suffused with a Borges like quality of the mythic."